The Door

It's early summer and something just bloomed. I've been waiting for it longer than I can remember. Winter seemed to go on forever, spring brought me lots of beauty. Yet still I waited. I didn't know what was going to happen, but I knew if I was patient enough, strong enough, and had enough belief, that something wonderful was going to come into my life.

A few minutes ago, as I was playing Kim Robertson's arrangement of The Minstrel Boy (sort of my theme song), I came to the end - and began to improvise! I had written/arranged/improvised on the piano years ago, but for some reason the harp always told me, "No. Not now. You're not ready." Intellectually I had all the tools I needed - except for the jackhammer I needed to break through the wall I was continually hitting. Perhaps I suddenly just noticed that the wall had a door in it...

I had begun playing gently, as I usually do. I brought the music up a notch, and floated back down. My hands reached in to coax the tone deeper as I reached the part that goes, "One sword, at least, thy rights shall guard - One faithful harp shall praise thee." But instead of ending, by hands took over and melded with the strings as I drifted lower, lower into the deep bass voice of my Warrior Caste McFall harp. I felt the vibration of the harp's body on my shoulder and in my chest. Something was being pulled out of me - 7ths and suspended chords - that were not in the arrangement. Chord resolutions drew me up into the middle ranges of the harp, and the song became gentle again. Around and around the melody spiraled up and down, braking apart and completely disappearing into fragments. I couldn't stop - wouldn't stop. I sped up. I slowed down. Old chords morphed. New chords entered, left, returned.

Was the me? Where was this coming from?

And, as I sit here I wonder - will it ever come back?

Anticipation

It's been a long, blah winter without even a clean blanket of snow to hide the dormant grass and dirt. But the sun is out and temperatures are rising, fooling my daffodils into swiftly reaching out of the earth. Is there any wonder that I am eager for spring?

And with thoughts of spring, comes the anticipation of my yearly migration to The Harp Gathering. I will forever hold the two events in my memory as I recall the warming breezes, the golden sunrises over newly planted fields, and the sounds of harps in the air.

This will be the fourth spring I head off on my own to renew my spirit in the company of other harpers, harpists and the beautiful instruments they bring with them. The harps, like the people who bring them, are each unique in their own beauty. Their souls resonate through their soundboards and speak to my own in their secret language. The harpists glow from the joy of the sound washing over them.

Sound a "little over the top?" Perhaps. But, like my daffodils, I suddenly feel my arms reaching up for the warmth and light of spring - and The Harp Gathering.

Peace Hour 2011

I just saw on Facebook that there will be an "event" on September 11, 2011 called Peace Hour. It's a wonderful idea from Harpists for Peace, and you can find more information at their website at: http://www.harpistsforpeace.com/index.asp

This bit from their site tells a little about it:

"Harpists for Peace is an organization that was formed in 2007 by its president, Alexis Aria. The group's objective is to use creative means, especially through the use of the harp, a soothing and relaxing instrument, to invite all people to discuss some of the most vital issues of our times.

The Peace Hour is a global event, in which harpists all over the world play harp for one hour, inviting the audience to imagine through their own individual visions, World Peace. For a few minutes during the Peace Hour, harpists will pause the performance to commemorate the innocent lives lost; and invite the audience to remember the costly side of wars and conflicts."

I think that this is one of the greatest ideas I've heard in a long time! Starting today I'll be going through my music to find the pieces I'll be playing, and finding a location. Stay tuned for further updates!

It's been a busy couple of weeks since The Harp Gathering, and I'm sorry that I haven't posted sooner.

As promised, here's the pictures:

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I didn't have much time to savor the experience when I arrived home, because I was preparing to photograph a friend's daughter's wedding. Immediately after that I made a last minute decision to take another photography class which required that I gather together 70 of my best photographs in order to develop a portfolio. This means, unfortunately, that the summer of The Harp Gathering will have to wait until another day.

Until then -

A Harp for Hearts

This morning I chatted with the winner of the prize harp at breakfast. She told me how she said a quick prayer before the drawing that went something like this: "Lord, if I win this harp, I'll use it to serve You." Within seconds Denise pulled her entry out of the basket. Then, to let her know exactly how she was to use the harp in service to God, there is a workshop this morning called Harps for Hearts - a decade of music for healing. There are other reasons that appeared that evening to confirm that this particular "harp for hearts" was intended for her.

There are so many things I am anxious to tell everyone about, but there isn't time at the moment. I'll also be attending the Harps for Hearts workshop, and the concert featuring Louise Trotter immediately after. Then it will be time for the drive home. It may be a day or two before I put up a summery of the weekend, but I'll hopefully have a slideshow of my photographs tomorrow.

Intention and Grace

This morning I attended a workshop with Timothy Harper that I had attended last year - The Minstrel's Mission. It was such an important workshop for me personally that I just had to hear his message again.

Timothy wanted us to be aware of our intention in playing the harp. What did we believe our mission to be? Was it self actualization? Comfort for others? Bringing laughter and joy? Bringing grace to others? It's not something I think about when I sit down to the harp. I often think about what I should be learning, am I playing the tune correctly, how can I get better, etc. In the next few days I'll be spending more of my time thinking about where I intend my harp to take me.

Sharlene Wallace also set the tone for my day. In her workshop, I Love Playing Scales!, she encouraged us to relax our hands, wrists and arms and send out sound arrows when playing scales. "Relaxation is Freedom!" she stated emphatically. Here I was, going back to the beginning of my harp journey, playing scales once again. But this time, I was relaxed, confident and focused. Yes, relaxation gave me more freedom to play with a rounder, richer tone. After the workshop I stayed behind a few minutes just to relax and play tunes I am familiar with. With all the things to do with weekend, I've been waiting to have the time to do this. Even though there were other people in the room, I was able to zone out and and spend time focused on just me and my harp. With my severe stage-fright, that's a nearly impossible thing. But I was relaxed - and feeling free.

Lunch time brought the "harp tasting." The audience sat with their back to the stage, as two harpers, one of which was Frank Voltz, played several different harps so that we could compare the sound. Bill Webster choose my McFall to be one of the harps used, and it was great to hear it played by two such talented performers.

Afternoon brought another fun workshop with Kim Robertson and many conversations with workshop participants, including one who made the last minute decision to attend on Friday morning. Her husband flew her here from Kansas in his plane in time for the Friday night concert.

Tonight's concert began with Timothy Harper singing and playing some of his favorite songs. He told us a wonderful story about Denise Grupp-Verbon which I will save for later.

After Timothy, Sharlene Wallace took the stage. "Relaxation is freedom" was evident in her playing. Her fluid, effortless playing was inspiring. I also was mesmerized by the Latin rhythms.

Lisa Lynne also entranced me. Grace poured from her harp in a laid-back Californian style that caused me to envision ocean waves breaking on a beach. Then she playfully brought out an angel puppet and used it to play the melody line of a piece. Can it get any better?

You bet it can! After the concert everyone filtered into the Vendor Hall. There was the usual sound of many harps being tried out, but then I heard two harps playing a tune together. I turned around to find the legendary Louise Trotter jamming with Kim Robertson. They were each using a Jeff Lewis new GH model harp. People stopped what they were doing and gathered in a circle around them. After a few songs, Frank Voltz was pulled into the circle. With shouts of "Go Frank, go!" he began to add in some great jazz licks. As the playing continued, the crowd was encouraged to sing along. As we did with our Happy Birthday song for Timothy Harper the night before, this was a group could sing along in three part harmony!

Eventually someone reminded us that there was a big morning planned and the jam session broke up. So here I am, trying to get a few thoughts written down before sleep erases them. I've got tons of great photos from the day that will have to wait until I get home to share them with you.

Oh! and I almost forgot! The prize harp was raffled off this evening! The rest of the prizes will be raffled off tomorrow. But for now, it's off to bed for me. I'll be back in the morning.

The Magic of the Night

Last night's concert was simply magical. Leading off the celebration was Tapestry, comprised of harpist Denise Grupp-Verbon and guitarist Michael Grupp-Verbon. Denise is charming and funny on stage, and a skilled master of the harp. Michael shined out as the only non-harp performer of the evening with his jazzy guitar licks. As a duo, they are fun to watch and hear.

Following Tapestry was Kim Robertson. Always a favorite, Kim made us laugh with her wit, and awed us with her skill. Watching the way she brought out the three strains of Celtic harp music during her performance (joy, sorrow and sleep) really brought home what I learned in her workshop that morning.

Lastly was another crowd favorite, Frank Voltz. Frank's infectious smile and energy were only outshined by his mastery of the harp. His arrangements were so full and rich, that it would have taken an entire orchestra to accompany him - although it would have been redundant!

After the concert was a reception in the Vendor Hall. When I walked in I immediately thought I was seeing double when I looked at Bill Webster's corner. There were two McFall's! Carol had brought in her harp in and he had set it right next to mine.

It was great to talk with the other harp builders. I tried out Jeff Lewis's newest harp, the HG (as in Harp Gathering) which was making it's first appearance. It's a great harp with a beautiful sound. Denise played one during the concert and her skill really made it shine.

Dave Woodworth of Heartland Harps brought a prototype of a new carbon fiber harp that is in the development stage. This will be the only one without the curved soundbox. I can't wait to see the finished product next year!

I also tried out the "prize harp" from Timothy Harps. The Nimah is an incredibly rich and full sounding harp for it's size. There will be a lot of people holding their breath (including me) when the drawing takes place on Sunday!

So now that Saturday is here there will be more workshops and another concert. It's time to jump in the shower and get ready for another full day. I'll be back to post throughout the day - so stay tuned!

I can do that!

This afternoon I attended a workshop by harp builder Timothy Harper on how to maintain and adjust your levers for smooth action and perfect intonation. This is what we call "regulating" a harp. Timothy did a great job explaining the differences in the makes of levers and how they work - or don't work, in some cases! We had the chance to watch as he corrected lever problems on several harps, including one harp that the owner had tried to regulate herself. After he showed her how, she exclaimed, "I can do that!" and proceeded to regulate the next lever herself.

I believe that the phrase, "I can do that!" pretty well sums up what each workshop presenter is waiting to hear. I also predict that they will be hearing it a lot this weekend!

I takes some great photos already today, but unfortunately the computer I brought with me has an old version of PhotoShop and can't read the format that I'm shooting in. I'll switch formats tonight when I attend the concert. We'll be treated to performances by Tapestry, Kim Robertson and Frank Voltz. After the concert there will be refreshments in the Vendor Hall and a Slow Jam Session. If I'm not up too late, I'll post again. Otherwise, see you in the morning!

First Light

I woke well before first light this morning - about 5 a.m. It wasn't excitement about the day, or anything else I can identify. I was just AWAKE.

I waited for dawn, but it wasn't in any hurry to shine today. Light increased, but the day dawned grey and dull. To top it off, the air was so humid and warm and it felt like we had skipped spring and jumped right into summer.

So with my car loaded up with my baggage, camera and harp, I headed south to The Harp Gathering. My iPod cranked out my favorite Kim Robertson, Tapestry and Timothy Harper tunes and lightened my mood as I drove through the gloom.

Then, as I exited the Ohio Turnpike, the sun broke through. A few more minutes, and I arrived at the Heritage Inn. I was immediately greeted by harp music and my internet friend, Carol, at the front desk. It was terrific to finally meet her face to face!

There wasn't much time until my first workshop with Kim Robertson. Those Magical Celtic Harp Tunes was centered on the three powers of the harp - the power of sleep (lullaby), the power of sorrow (lament) and the power of joy (jigs & reels). Kim entertained us with her quick wit as she directed us through these three types of music and showed us how to effectively play them to produce the three qualities. She challenged us to "dare to play slow." A great reminder that the harp has great power even when played simply. She also reminded us that, even though we are contemporary harpers, we still carry with us the same magic the harpers of old used.

It was a wonderful first workshop. And for me - the first light of the day!

Endings and Beginnings

Tomorrow is the big day! I leave shortly after first light for The Harp Gathering in Archbold, Ohio. This time away will be most welcome, even though my life is 180 degrees from what it was at this time last year.

"Retirement" has been bliss! I've been working on my home, my music and my re-discovered hobby of photography. But with the coming of spring-like weather (finally) I feel the need to fly away from the nest for a short time.

First I have a sad duty this evening. I need to attend the funeral of the untimely death of the daughter of my sister-in-laws fiance. While I did not know her, the sudden death of a young person is always tragic. It will be a sad evening.

But the sun always rises. Spring breezes blow again and music floats on the air. I will be glad in the morning.

Arpeggio

In case you've been wondering where I've been, this photo is a hint.

Well, yes - I have been playing my harp, but I've also been kept busy by my photography classes. This is a shot I took just yesterday in the studio. I've titled it "Arpeggio."

I still have tons of homework shots to take, and there is a class trip planned for Greenfield Village on Sunday. Combine that with a dog I've been hired to photograph on Thursday and I've been one busy lady.

But there is something in the back of my mind that makes me smile often. In just four weeks it will be time for The Harp Gathering again. This time is extra special for many reasons. There are more instructors/performers and an extra day! But more than that, I'll finally have the chance to meet Carol. I first met her online when she was considering which harp to buy. Wouldn't you know - she bought one just like mine!

So as I go through my busy week, I'm finding my heart lift like the notes of an arpeggio when I think of the fun, creative adventures that await me.

I just love this time of year!

Into the "light"

I have been making preparations for changes in 2011. Like many of us, that includes improving my health with diet and exercise. My first change has been frequent trips to the gym. My second change has been abandoning coffee completely. I loved my morning coffee. I loved the ritual, I loved the warmth, and I loved being able to excuse my grumpiness of the lack of it. But I have found a wonderful substitute that I enjoy just as much, if not more. My Morning Mate tea from Teavanna. It does contain caffeine, but many people have a different reaction to this stimulant since it is blended with the other natural xanthines found in Mate (theophylline and theobromine). Together they create energy without jitteriness or addictive tendencies. The combination of Mate, black and Rooibos teas in My Morning Mate contains many health benefits. Studies show that this tea may help lower cholesterol, supress hunger, regulate blood sugar, help fight colds and allergies, and aid in weight loss. This tea contains 21 vitamins and minerals as well as a healthy dose of antioxidants. And I love the taste! We shall see if these small steps help me to "lighten up" a little!

My third change is the redecorating of my music room. This room is literally the center of my home. It is located in between the living room and sunroom, the kitchen and the bedrooms. When I last decorated it we had not yet added on the sunroom and there was plenty of light. Now there is very little. The drama of my dark, tapestry covered walls now makes the room gloomy. So the tapestries, medieval candle sconces, crosses, and burgundy draperies are gone. The holes where they hung are covered with white patches. The walls are splotched with differed shades of paint where we experimented with colors.

Tomorrow the painting begins. It feels like I am taking a step out of the shadows and into the light.

Finding the Gift in a Challenge

This article was published in the 2009 Fall issue of The Folk Harp Journal:

I know I am not alone when I say that I have experienced world class stage fright. At times it has been so bad that if I were playing my harp alone in a room with a mirror, and I saw my reflection, I'd make myself nervous.

Not being the type of person to give in to such a problem, I devised a way to help alleviate my distress. I decided to volunteer several times during the holiday season to raise funds for the Salvation Army by playing my harp at one of their red kettles. Towards that end, I chose a Salvation Army facility in a wealthy county, hoping that I could play in one of their up-scale malls with its beautiful decorations and wealthy patrons. However, I was told that the malls in that area would accept the Salvation Army volunteers only if they didn't make any noise. I then contacted the Salvation Army in the county where I live close to Detroit. The commandant searched until he found a mall that would welcome me. I was very familiar with it. It was an old mall with many vacant store-fronts and little traffic. Well, perhaps this was best, I thought.

The first time I played in the mall I was given a spot by a newer department store in an area which was nicely decorated. Traffic was sporadic and I began playing when no one was around. My hands were sweating and I stumbled a bit, but I kept playing. People began to walk up and drop change in the kettle. It was difficult to try and play and say "Thank you," or "Merry Christmas," and I would sometimes make mistakes. But guess what? The world did not end! No one told me I was a lousy harpist! Instead I received compliments as people actually stopped to listen.

People would wait for me to finish a piece and begin asking questions. This was a part of town where there were no orchestras, and no one had ever seen a harp. How much did it weigh? How could I play with all that weight on my shoulder? How long had I been playing? How much does a harp cost?

The most amazing experiences I had in the mall where with children. There was one toddler who broke away from her mother and charged me. Mom was terrified as she ran after the child, but the little one came to a stop next to me and stared - HARD. Her mouth open, she watched my hands as if in a trance through the entire piece, and when I finished she looked a me and giggled. I encouraged her to pluck a string, which she did gently and then looked at me and laughed with her whole body.

Another time a middle-aged woman was herding six children, ages approximately 5 through 10, through the mall. she told them to sit around me and listen, because this was a very special instrument that they may never see played again until they get to heaven. They all politely obeyed and listened intently until I played "Silent Night" all the way through. Then the woman in charge had them all thank me, and gave each of them coins to drop in the kettle as they left.

One little girl helped me with my stage fright more than anyone or anything else. I really messed up a song and had to start over. When I finally got through it, this 10 or 12 year old with thick glasses told me, "You play really pretty, when you don't make mistakes." It was so honest that I had to laugh. The angst I had been feeling about messing up disappeared into thin air.

At one point, after I told the Salvation Army commandant that I was getting over my stage fright, I was moved to a part of the mall that had much more traffic. It was in front of an old, run-down department store that had been replaced by a Value City. This was a bargain basement type store, and there were many people shopping there who were poorly dressed. There were just a few worn-out decorations and the lighting was dim. The amazing thing about this spot was that almost everyone dropped something in the kettle. It may only have been a coin, but more often it was a dollar bill. At times people had to wait their turn to drop their contributions in the kettle because there were so may people! I always received a wide smile and a kind word along with the contribution.

It occurred to me that the people who shopped in this mall understood what it felt like to be in need or close to it, and they were happy to contribute whatever they could to help. What a contrast to the up-scale malls that didn't welcome someone who didn't fit in with the ambiance they were creating for their wealthy shoppers. I've often wondered how many of those wealthy shoppers would have walked past my kettle without leaving even a coin, when they never would have missed a $20 dollar bill.

The hours I spent playing in that run down mall were some of the best hours I've ever known. It helped reduce my stage fright to a manageable level and I had the feeling that I was doing some good with my harp. I also received a most remarkable gift. It happened on the day my husband had the time to help me bring my pedal harp to the mall. I was then able to try some more challenging music, including the Bach Prelude which was often used for the Ave Maria. There were many pedal changes which made me nervous, but I wanted to challenge myself more than I already had. I had run through my repertoire a couple of times and was beginning to play the Prelude/Ave Maria a third time. Then, out of the air behind me and above my head, a deep, soft but strong African-American voice gently entered into the song as if to not frighten me. As our music combined he sang more loudly and I completely forgot that I was playing a piece I considered challenging. In that moment in the dimly lit, run-down mall, heaven touched the earth. People gathered around us with their hands held up to their hearts as my angel and my harp sang. I felt apart from it all, as if I were a member of our audience, and there was no fear - only joy.

At the end of the song, the singer came from behind me so that I could finally see him. As I stood to shake his hand, his towering form warmly embraced me as people gathered around the kettle to leave their contributions before coming to thank us. After everyone left, he went to the kettle to leave his contribution and then walked away. I noticed then the 1940's style top coat he was wearing. It was very similar to the type worn by Jimmy Stewart or Cary Grant. How fitting, I thought, that he should bring to mind those wonderful old Christmas movies in which angels played a major role.

At the end of that holiday season, I discovered that my greatest challenge as a harpist gave me one of my greatest gifts. I think about that often when I'm facing new challenges on the harp or in life. I hope that you, too, will look at your challenges in this way - as opportunities to experience things you've never imagined possible.

So Here's to You

For my fellow attendees at The Harp Gathering. I wish I could find a YouTube version of So Here's To You:

When first we met, complete awkward strangers
We did not know if we could be friends
How soon we've come for to know each other
And now I know we will meet again

Chorus:
So here's to you and our time together
I'll share with you a parting glass
And I'll bid adieu with some smiles and laughter
Our time apart will be short and pass

We've talked of dreams and of new tomorrows
Of yesterday and its dark despair
We've had our share of love and sorrow
And now we part as friends who care

(Chorus)

A long, long road, it lies before me
And fate will take me where it will
But through the valleys and over mountains
I'll not forget, but remember you still

Fertile Ground

I could spend pages recounting the things I learned, and the fascinating people I met, at The Harp Gathering, 2010. The techniques and information I personally gathered will take a little time to process and incorporate into my playing. The inspiration will last significantly longer.

I live in a “blue collar” community, devastated by the troubles of the automobile industry. We don’t have orchestras here – we have bands. When people learn I play the harp, they look at me like I’m crazy and ask, “Whatever would want to make you want to play the harp?”

Then that once a year weekend comes where this question is as absurd as, “Why would you want to breathe?”

As I watch people pushing or carrying their harps around the hallways of the Heritage Inn I feel that this is my real community. The empty, smelly factories with weeds growing up around them in my Detroit suburban neighborhood seem more like a bad dream. The streets were no one knows (and doesn’t care to know) their neighbor’s names doesn’t exist here. Just hallways filled with people with the same hopes, dreams and optimism about their future.

On the last morning of The Harp Gathering I looked out my window onto a newly plowed field. The golden morning sun had turned the plain brown earth into gold dust. “Fertile ground,” I thought. “It looks as if magic could grow here.” So instead of joining everyone under the Oak Tree for breakfast, I carried my muffin and coffee back to my room and continued watching the morning unfold. A pair of mallard ducks could be seen from my window, and as I watched them, a rabbit hopped into sight and began grazing on the clover. “Looks like I’m back in Tolkien’s Middle Earth again, just like last year,” I softly said to myself. I then heard my neighbor quietly tuning his harp. For me, that was even better than being in Hobbiton.

That morning was a beautiful time of reflection. All the time I had spent in workshops and chatting with friends from last year, and new friends from this year, gently swirled around in my head. I had seen the same light in the veteran harpists eyes that I saw in the novices. They were illuminated by the learning and sharing of knowledge.

I thought about Denise Grupp-Verbon’s workshop, Zen Harp: Explore your path. She had said that a person who is following the martial arts tradition doesn’t usually speak about it. They just live it. The workshop I took after that was one of Pamela Bruner’s. As I think back on that now, I think of how she wasn’t showing off her knowledge and giving us strict rules like my previous music teachers. Like a “sensi” she showed us how she had walked her own path without insisting that we march in step behind her. She was also open to learning from us. In my book, that’s the true mark of a teacher.

I thought about the nurturing spirit of Sue Richards. She gently shared knowledge and encouragement. She made us feel precious.

Timothy Harper brought a huge smile to my face as I thought of him. He understood us so well. He knows the worries we have about performing and wanted so badly to help us overcome our fears. One by one he handed us magic seeds to plant in our minds that would assist us in sharing our gift with our audiences.

Planting seeds. That’s what was happening in and around the Heritage Inn that weekend. As the farmers where putting their seeds in the ground around us, our teachers were planting seeds of knowledge and encouragement in the fertile ground of our minds and hearts.

I can just feel the magic beginning to grow.

Home again

My last workshop of the weekend was How to Play With Lead Sheets, again with Pamela Bruner. While I've done some composing and arranging on the piano in the past, I've had problems with doing the same thing on the harp. Pamela showed us some patterns to use with the left hand that really will make a difference for me. She has a real talent for creating simple harp arrangements that sound very fancy. I am looking forward to trying them out at home.

After the workshop, we all enjoyed the last concert of the weekend. The harp ensemble was especially enjoyable, since this year I wasn't playing with them and could just listen. I knew many of the people participating and is was great fun to watch them perform. They played an arrangement of Glen Livet by Denise Grupp-Verbon, and an arrangement of Waltz of the Flowers by Frank Voltz. Frank created the arrangement with Denise in mind. Her amazing skill and talent really shined through!

Sue Richardson then took the stage and completely delighted everyone. Her skill and artistry clearly demonstrated why she's a Scottish harp champ and Wammie winner. I closed my eyes while she was playing and let the ancient Celtic music vibrate through to my bones. I could feel the draw of the ancient ruins and deep forests of my ancestors. You can't hear that type of rich, stirring chords in modern music. It was hypnotic.

We finished up the day with the prize drawings. The main prize, a Dreamweaver harp from Heartland Harps was won the night before. Then everyone gathered their harps, and drifted out of the Inn. The 2010 Harp Gathering has complete.

I'll be summing up my feelings about this weekend later in the week. After a full weekend, and a two hour drive home, I'm ready to put my feet up and relax. I look at my harp, back in it's proper place in my music room, and think, "Tomorrow I'll play around with what I've learned." But as I sit in the recliner, I think I'm hearing a call from the music room.

I probably won't wait until tomorrow...

Magic Seeds

The last morning has arrived, and once again I sit writing my blog with a cup of coffee and harp music playing. This time it's Tapestry's The Journey album. It makes me think about this whole, wonderful journey, and how once a year isn't enough! Although all the hard work Denise, Michael and all the volunteers have put in have probably been enough for them at the moment. You can tell that they're working hard to make this experience an effortless and fulfilling one for all of us.

This morning as I woke that I was hoping to hear harp music from my neighbor's room. They are probably still asleep, but if they weren't I'm sure they wouldn't want disturb anyone. If they only knew... In fact, at home I never get to hear someone play the harp live. It's always me that's playing.

Looking out my window onto the newly plowed farmland next to the Inn, I see the morning sun turning the brown, plain earth into gold dust. It looks like a land where magic could grow. I know that this weekend, the seeds of magic were planted for many harpists.

Love is the Main Course

Tonight's concert was truly magical. Timothy Harper played some familiar songs and a couple new ones. They were a collection of songs all about the journey of love: young man's love lost, the feeling you will never be loved again, the hope of a new love, and making that new love come true. He even sang a song he wrote on the way here that wasn't even really arranged yet - you wouldn't know it unless he told you. I think it was my favorite. It was about the most loving, intimate thing a man can do for a woman - cook dinner! Finally, a man who really knows what women want...

Pamela Bruner always amazes me. Like Timothy, her songs were love songs. Although she was first a singer, and only learned the harp so that she could accompany herself, her playing is enchanting. She explained that what she was doing wasn't really all that hard. So I picked up the sheet music after the concert, flipped through it and thought, "You know, she might be right." Well, let's just see what happens when I try to play it.

I went into the Exhibit Hall after the concert, and found one of the other harpists buying a carbon fiber harp from Dave Woodworth. I don't why I found this so exciting. Perhaps it was her excitement bubbling over into me. I was also pleased to find a couple of people looking at my harp in Bill Webster's area. Of course, I think my harp is the most beautiful harp in the hall. It's great to see other people admire it too.

I tried sitting in on the jam session, just to listen, tonight. But they were playing some very gentle and soothing music. I decided to come back to my room before I nodded off. So this is all I'm going to write for now and crawl into bed. Sweet dreams are a certainty.

Where do I start?

What a day - and it's not over yet! The day started with Dave Woodworth explaining the process of creating a carbon fiber harp. He's the first person ever to do it, and it's been a long and expensive road. But you can see his pride in what he's accomplished and his joy in successfully creating this uniquely beautiful and practical instrument.

My first workshop was Dexterity Exercises for playing Celtic Music at speed with Scottish harp champ Sue Richardson. She gave us some very valuable exercises and advice, chief of which was don't get discouraged. Allow yourself the time to progress at the rate that is right for you.

Before lunch I caught a glimpse of someone playing a harp in the garden. I couldn't resist snapping a picture of Robin. I've also been fortunate to have a neighbor who plays the harp in their room. I just love the sound of harp mysteriously appearing when unexpected!

Lunch included the usual sandwich and salad, and a little something special - a Harp Tasting! We loaded up our plates and went down to the performance hall. With our backs to the harps, we had the opportunity to hear each one played by two performers. That way you could analyse the sound without being influenced by the appearance. Tasty stuff.

My first afternoon workshop was The Art of Rehearsal with Timothy Harper. Timothy has stagefright just like I do. He spent lots of time going through techniques - both simple and complex - to help us give the gift of music to our audiences. He started with what we can do physically to insure that things like broken strings, coughing attacks, etc., don't end a performance. He then when into the mental preparation, followed by practice techniques that could help make us confident in our memorization of the music. Good stuff.

The second workshop was Zen Harp with Denise Grupp-Verbon. This was about us, as musicians and not about playing tips and techniques. Deep stuff.

With my harp back down in the Exhibition Hall with Bill Webster, it's time for me to run over to the restaurant for dinner. More blog later!

Coffee with Timothy Harper

6:00 a.m. Saturday morning: Funny how I can never sleep in on weekends or holidays, no matter how late I go to bed. Thank goodness there's a coffee maker in my room, so I don't have to get dressed and go down the hall for a cup. So here I sit, typing in my blog, swilling coffee, and listening to Timothy Harper's album, Dark Blue. Timothy will be playing in tonight's concert, and I can't wait!

Featured in Canada's premiere Celtic magazine, Celtic Life, Timothy is much more than a singer/songwriter/harper/guitarist. He's also a harp builder. Denise Grupp-Verbon owns one of his Storm King harps. At last night's concert she demonstrated it's power and sweetness. I hope that today I'll get to try one out in the Exhibition Hall.

Time to take a quick shower and get some breakfast. I don't want to miss Dave Woodworth's talk on how carbon fiber harps are made.